David Demaret, 'Éowyn versus the Nazgul' (2019)
Like everyone of his generation who read, Tolkien read Walter Scott (it’s really remarkable actually how far Scott has fallen, from being one of the most popular and widely read authors in the world to today’s obscurity). And when Tolkien came to write his own fiction he worked a basically Scottian template. In this old blog, I discuss [you need to scroll down a few paragraphs] some of the ways in which The Lord of the Rings is an exercise in Scottian writing, with its leisurely, peripatetic narrative, it’s middling, ‘wavering’ (that is, ‘waverley’) protagonist caught between opposing forces at a moment of great historical interest (fictional history in Tolkien’s case, but still), its narrative set against a backdrop of deeper time, and its textual strategies of prose and inset verse — in all this, Tolkien as writer was working in the idiom established by Scott. But I think he took various other, more specific things from Scott too. Small things (the name Proudfoot for a bourgeois family from Fair Maid of Perth, say) and some bigger things.
1. In this post I argue that Tolkien's Black Riders, or more specifically the scene where the Black Riders chase Aragorn and Frodo across the landscape to the Ford of Bruinen, is drawn from Quentin Durward, where Scott's Black Riders chase Quentin and Isabelle across a spacious medieval landscape of field, forest and river.
2. And here, at greater length, I argue that the episode in which the fellowship passes over the snowy pass of Caradhras reworks a very similar scene in Anne of Geierstein, or The Maiden of the Mist (1829)
Here's another small thing. At the end of A Legend of Montrose (1819), Allan M’Aulay, pitiless warrior, an individual possessed of magical abilities, strikes down the Highland Lord, old Ranald MacEagh, on the battlefield. ‘M’Aulay, setting his foot on him, was about to pass the broadsword through his body, when the point of the weapon was struck up by a third party, who suddenly interposed’. The intervention is by a humble—that is, non-noble—character, the mercenary Dalgetty. Then we get:
“Fool!” said Allan, “stand aside, and dare not to come between the tiger and his prey!”But Dalgetty defends Ranald. In the great battle towards the end of The Lord of the Rings, the Witch King of Angmar, pitiless, possessed of magical abilities, strikes down the Lord of Rohan, old Théoden, and is about to finish him when Éowyn suddenly interposes. Then we get:
“Begone!” A cold voice answered: “come not between the Nazgul and his prey! … Thou fool.”
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